Opera
Zurück, zwei Dialoge [2012-13] - music theatre for soprano, mezzo-soprano, tenor, bass, flute [picc.], clarinet [bass clarinet], piano, violin, cello [15']
Schichten [2013] - for flute solo, two versions [a and b] [4']
vas-y [2013] - for brass quintet [9']
Monadologie, op. 1 [2013-14] - for violin, cello, piano [10']
Arbeit, op. 2 [2015] - for alto saxophone solo [5']
Jazz, op. 3 [2015-16] - for bassoon, CD and mixer, prepared piano, two turntables with mixer and foot pedal, double bass, drumset [10']
...tönend bewegt..., op. 4 [2016] - for piano solo [7']
Wucht, op. 5a [2016] - for piano and tape [6']
Schoscha, op. 6 [2016-17] - for euphonium and tape [7']
Paroxysmen, op. 5b [2016-2017/2021] - for steel string guitar, harpsichord, percussion instruments and electronics [11']
Deconstructing Cage. changed music [2017] - for piano solo [1']
Plucx [2017-2018] - in two versions: a) for 6 laptops, b) tape version [2']
Jazz: Fetzen, op. 3b [2015-2016 / 2018] - for bassoon and tape [10'] (published by Edition Gravis)
mv1:i-e, op. 7b - fixed media (4 channels) [2019] [10']
in preparation:
3 Humoresken: 1. Woody, 2. Bernhards Hunde, 3. Crazy Jane speaks with the Bishop, op. 12 – fixed media electronic piece (binaural stereo, 4 channels, 6 channels, 8 channels) [ca. 15']
Du bist wie der Morgen, op. 13 - for countertenor, boy's voice, six-part choir, glass harp, trombone, and six string instruments
Schir-ha-Schirim, op. 14 - for different orchestral groups, choirs, and soloists [ca. 60‘]
Score
Audio
Video
